July 31st, for those not in the know, is National Orgasm Day. I’m so taken with a day reserved for such an arousing occasion, I’ve decided to offer my readers a repeat of last year’s blog posting — which appeared headed by the forty-year-old image of a sculptural collage — featuring a certain ecstatic moment of my own.
PLASTER ORGASM
I lay comfortably on a faded , old rug in my art studio, wearing paint-stained denim jeans, and nothing else. Outside, cold rain spattered the roof and ran down the windows. Inside the heat was turned up so high the room was almost tropical.
Jerry, gazed down at my half-naked body, his dark eyes widening with interest . He was half naked as well, his broad, muscular chest bare. He held the handle of a water bucket in one hand, and a shopping bag containing towels, a jar of Vaseline , and a huge box of plaster in the other. Grinning, he set the items on the rug beside me. “Hey, baby,” he said, “this art form has some distinct possibilities. Very hands on.”
I gazed up at him smiling, excited about his help on this project. I’d been working for months on a series of sculptural , female body parts, molded from multiple layers of plaster bandage. When the pieces dried enough to hold their shape I’d lift them from my model. When they were completely dry, they were painted, mounted on canvases, and transformed into collages with a variety of female images I’d cut from magazines and newspapers. There were almost enough faces, breasts, feet, backs, and thighs, for a show.
My boyfriend, Jerry, a fellow artist, had come to my studio that afternoon to make a mold of my reclining upper body — head thrown back, hair tumbling around me, shoulders relaxed. It was intended to be the centerpiece of my show. Squatting, he unscrewed the lid of the Vaseline jar and began coating scooped some up with his fingers, and began spreading it over my exposed skin. I closed my eyes and concentrated on remaining motionless while Jerry coated my face, neck, and head with the slick, dense stuff.
Vaseline is a necessary part of the mold making process. Carefully applied, it insures the preservation of body hair when the plaster form is removed. I closed my eyes and concentrated on remaining motionless while Jerry coasted my head thickly with the thick, dense stuff.
My long, chestnut-colored hair fell on the rug around my head and shoulders, in carefully arranged tangles. He smeared it over my face and throat and ears and over my shoulders, down my arms to the elbows, and up again — smoothing it evenly, in slow, circular strokes over my breasts.
My nipples hardened under his touch.
“Okay, you’re ready to be plastered,” he said.
I took a deep breath, let it out slowly, and tried to relax. Jerry began laying long, thin strips of cool wet bandage across my rib cage. Working slowly, he crosshatched them over my breasts, lingering over my nipples, then across my shoulders , over my face, throat, and ears — and over my head and hair.
I tingled with excitement under his touch.
“Sorry,” he said,, as drops of water dribbled to my ticklish armpits and behind my neck, making me fidget, while he continued to apply strips of bandage. I shivered when his hands moved over me adding layer after layer; meticulously smoothing plaster over my forehead and prominent cheekbones, working it with his thick, surprisingly sensitive fingers, around my eyes and half-smiling mouth. Two small openings beneath my nose were left uncovered, so I could breathe.
“Doing okay, babe?” I felt him arranging my hair as he bandaged it. Moving back down my body he strengthened the mold with additional layers. I felt him pause, and linger over my breasts, slowly stroking the smooth, wet plaster under his hands.
“Fine thanks,” I mumbled without moving my lips — without moving anything in fact, at the risk of ruining my creation. My muscles began aching slightly from holding so still. Intense little itches erupted on the side of my nose, beneath my chin, on my right arm, and on my scalp.
I longed to scratch.
“Almost done,” Jerry said, and I felt his fingertips gliding over the wet plaster, searching out any weak spots in the mold. “Hold on. Feels like we need more bandage around your rib-cage, There, Looks good. Okay, should be dry enough to remove in thirty minutes. Remember, ” he ordered, sounding stern, “no moving.”
The clock ticked, Minutes passed. I twitched. I itched. I explored immobility in my plaster bandage restraints. With my eyes closed and deprived of speech, I listened to soft guitar music playing on the stereo, and the steady sound of rain in the background, . Jerry was beside me, his leg pressed against mine. I felt his body heat through our jeans, and smelled his musky male scent combined with sweat from the heat of the studio.
I wonder if he’s turned on seeing me like this? And oddly, Oddly the thought turned me on too. I imagined Jerry beside me, gazing down at me with a hard-on in his pants.
“Baby, you’re so hot bound up like that,” he moaned, like he was reading my mind.
“What are you doing?”I asked, (which came out sounding like “waarardoink?”), when I felt him unzipping my jeans and slipping my his big warm hand, slick with Vaseline, inside them, cupping my pussy, moving rhythmically, in a slow, circular motion.
A rush of heat shot straight my clit and I gasped with pleasure.
I could feel the plaster beginning to dry, growing tighter and more restrictive the drier it got. Jerry continued to play with me, and in some way I didn’t understand the restriction heightened my excitement.I moaned, clenching my ass-cheeks, longing to grind my hips against the rug. Then my guy upped he upped the ante, finger fucking me with what felt like three fingers, plunging deep and hard the way he knows I love it, while rubbing my clit with his thumb at the same time.
I tried to say, “No,! You’ll ruin my sculpture!” and remain motionless. But then, he parted my ass-cheeks, teasing my tiny puckered rear opening, and I gave it up for lost. Moaning steadily, my inner muscles clenched, my heart hammered in my chest, and the exquisite sensations claimed me. Distorting my carefully crafted plaster lips, I screamed, as the orgasm built and crested, and washed over me like a giant wave.
And in that moment of ecstasy — with muscles tensed, chest heaving, shoulders contorted, head thrown back with a grimace of pleasure on my face — the plaster mold hardened, documenting my orgasm for posterity.
When I was coherent again and the mold was removed, I lay propped on an elbow gazing at it in awe. Jerry sat looking down at me, a satisfied look on his face.
“Now that was hot,” he said. “A little twisted, maybe, but baby, that was way hot.“
Listen, I haven’t mentioned this before, but the whole idea of bondage and discipline turns me on.” He grinned and kissed me lightly. And after this scene, well I have a feeling you’ll be turned on by it too.”
“You’re right,” I said, and blushed, realizing it was true. “But Jerry,” I smiled picking bits of plaster from my hair, “Could we try something less messy, like ropes, next time?”
I titled the piece, Plaster Orgasm. I mounted it on a canvas surrounded by images of naked female figures cut from magazines and news papers.
For the record, it was the hit of my open studio show I held years ago.
It was also the title of my first published erotic story, which appeared in the Tenth Anniversary Seattle Art and Literature Festival, in 2012. It was recently narrated by the incomparable Rose Caraway on her podcast. Click on the link to listen to her lovely voice make my words come alive.
http://directory.libsyn.com/episode/index/show/kisstherose/id/4539860
That’s my personal orgasm story. But anyone who cares to check out the origins of National Orgasm Day on the internet will find a plethora of articles and information on that delightful subject. Click on the link below to view the homepage of a site called Faces of Orgasm. This is a pay to view site, but the home page is there for all to see the faces of human beings in ecstasy.
http://www.beautifulagony.com/public/main.php?page=about
Dorothy Freed 